But in the meantime, in addition to the occasional sabbatical, last night reminded me that a good ol' Work Night with friends can be a very effective antidote as well.
Bill, Dick and Roman came over to help do some structure mockups. It occurred to me after the last operating session - and even more so as I lower the backdrop & rework some of the scenery base - that the next big priority really needs to be structures. Only when I have the structures in place - at least the main ones that affect operations - will I be able to finalize siding locations and, as important, see how the structures might impede operations, reach-in, uncoupling, etc. And since I really hope to have another operating session soon (it's been close to 3 months since the last one and I model October, 1947 - so I should at least operate in October!), "structures" moved quickly to the top of the to-do list.
Given my recent peek into the abyss, I didn't want to fall back into my rut, so I decided quick mockups would fit the bill nicely - and unlike the usual "quick & dirty" structure (no, Middletown tower is still not quite done) - might actually get done over the course of an evening. Especially if I lured some friends over to help with the promise of making some actual progress.
I've never really done structure mockups before, not in any formal way, so I thought by documenting how I went about it you might be encouraged to try. And if you have any tips/tricks/guidance to share - what's worked for you - please let me know in the comments.
Since I'm a mockup newbie, I collected more materials and tools than I ended up needing. Here's what survived to the end of the evening & what folks liked best:
- Foamcore for walls
- Cardstock for roofs
- Pencil (not shown) to mark the materials
- Box cutter and X-Acto to cut
- Ruler & tape measure to, um, measure
- Square to mark and help cut
- Scale ruler to measure, make conversions and make straight cuts
- Hot glue to glue everything together (and it sets quickly)
- Tape to dress up corners and to hold things together, as needed, for gluing
- Piece of masonite to cut on (saves tabletops)
The first step was to go to the basement and measure out the total area within which the building had to fit. This is different than the building footprint. Here, I'm measuring the area for the station at Cromwell (the structure there is a stand-in from off of my Christmas layout).
I used Sanborn maps of the towns to help me figure out the footprints of the structures. There's a scale on the map and figuring out the footprint of the model is a matter of figuring out the prototype dimension in feet, dividing by 87.1 (for HO scale) and multiplying to get the number of actual inches. Getting that critical 3rd dimension - height - is a bit more difficult. For that, I used photographs of the prototype to help me estimate.
One of the nicest things about doing mockups is that they are the antithesis of the contest-quality model. No Analysis Paralysis here - just the pure enjoyment of building something. Here, "close enough" really is good enough. Make your best guess, sketch it on the material, cut it out and glue it together. Pretty soon, you have a building - and, believe me, even a rough little mockup gives you a huge shot of motivation to continue.
Another alternative to the process above is to, well, "cheat" a little by taking measurements off of an existing model and duplicate that. When I looked at photos of the Cromwell station (actually, the freight house - the passenger station was long gone by 1947), I realized it was very close to the Wethersfield station. And I already had one of those . . .
Here's my effort - four walls of foamcore - and the building I'm duplicating.
And here's the finished product. Yup - that's "finished" for mockup purposes. No superdetailing here, though I have seen folks use photographs to wrap the walls and provide some detail. And I've also seen some of those buildings become permanent - way more than just a mockup.
But my whole reason for doing the mockups in the first place was to give my operators a much better sense of the obstacles they'll eventually have to work around, literally. And now is the time to discover whether having a building in a particular location - even though prototypical - is just a Really Bad Idea. I'd hate to put in a lot of time modeling a building if it's going to make operations impossible.
And there's another critical lesson that can be learned from this process: you realize just how LARGE even HO scale structures can be. Suffice it to say that the freighthouse in Middletown is much MUCH larger than the space I allowed for it. Ooops. That's where selective compression comes in. And to do that effectively, I
Ah, the joys of prototype modeling!
Two last things about a structure mockup work session: 1) you're going to make a mess - the foam in the foamcore has a way of getting everywhere; and 2) be sure to provide plenty of snacks. Maybe they'll encourage your buddies to come back for more building (and more snacks).
Sorry I missed the session - sounds like it was a lot of fun and productive as well! So, how many DID you get built?
Hey Pete - Not as many as I'd hoped, but we still got Gra-Rock, Rocky Hill station, and Cromwell station. Middletown freight house is in progress. So many more than I had before at least!Delete
Chris, I'm a long-time believer in mockups. One tip - consider using matte board (used to frame photos and the like) in "structure" colors - I have some various "brick" reds and a couple of light grays and white - and charcoal for roofs. Not only will you see the shapes and sizes of the buildings you'll have them in something other than glaring white. Just be forewarned - you don't want the mockups to become "permanent!" MartyReplyDelete
Hey Marty and thanks for stopping by and weighing in! I really like your idea - I think Trevor Marshall uses the same material - and think it looks great. One question though - actually two: What do you use to attach the pieces together? I thing Trevor uses tape, but I'll have to search through his blog to see if he described his process. Also, have you had any problem with the thinness of the matte board? I think I can get some from my local art store, but I suspect it may be a bit more expensive than foamcore - though I agree it DOES look much nicer than that glaring white! Thanks again for the tips!ReplyDelete
I usually mark and cut the four walls out as one piece, score the matte board at the wall corners and fold it to the shape of the building. This leaves one corner joint. I usually cut small strips of matte board and then hot glue those inside to join the pieces together.
The material is remarkably sturdy and I've had no issues with the thickness of the material.
Yes, it's more expensive than foam core, but I've found the prices at AC Moore are much better than at Michaels or a frame shop!
If you happen to know - or can find out without any trouble - what thickness of matte board do you use? I assume it's not corrugated(?) And what do you do about larger buildings where you can't put all four walls on one piece of board (or do you use really large sheets?)? I'm definitely looking forward to trying out your approach, but I'm going to go through my current stash of board first! :^)Delete