Throwback Thursday - On Giving Thanks and Making Trees

  

I think that I shall never see

A poem lovely as a tree.

A tree whose hungry mouth is prest

Against the earth’s sweet flowing breast;

A tree that looks at God all day,

And lifts her leafy arms to pray;

A tree that may in Summer wear

A nest of robins in her hair;

Upon whose bosom snow has lain;

Who intimately lives with rain.

Poems are made by fools like me,

But only God can make a tree.

You've likely heard - and perhaps even participated - in the debate of whether model railroading is art. But have you ever thought of it as worship or contemplation?

After being sick the past couple of weeks, I woke up recently feeling much better and noticed the beautiful sunrise from my back deck. The mood was enhanced by some nice seasonal music playing in the background (do yourself a favor and check out this song in particular). I couldn't help but try and capture it in the photograph above and the scene reminded me of the poem by Joyce Kilmer - " . . . only God can make a tree."

I think any time we engage in any creative endeavor, whether it be music, painting, dance, sculpture, or any of the arts - any time we create something for the purity of it itself - we are affirming our innate humanness and participating with God in Creation. While we can never be God, I believe our creative endeavors are reflections of the Imago Dei in our lives.

In this respect, our attempts at creating miniature worlds are echoes of our true identity as humans. We are born creators and while our attempts can never be any more than a mere reflections of the real world, I believe that the process of creating that world can itself be a contemplative exercise, affirming our humanity and providing an oasis in the midst of troubling times.

Is it any wonder, then, that a creative hobby can be so calming and restorative? And I think doing it can sometimes be an act of thanksgiving, thanking our Creator for the privilege of being able to participate in creation, in even a small way.

I've spent the past couple of Sunday afternoons dipping my toe in the deep end of this pool, trying my best to make some trees . . .

I started with armatures from Scenic Express, separating them into separate "trees" and spray painting them a medium gray color. When I was young, I always colored trees brown - but, turns out, they're often mostly shades of gray.

While the instructions recommend soaking the armatures in matte medium, I'm following the path many others have taken and am using hairspray (the cheapest, firmest hold you can get) to affix the "leaves" (various colors of flocking) to the armatures. I heavily spray the armature, then sprinkle the flocking over an old pie pan, which I then use to pour the excess flocking back into the container it came from.

It's a slow process - it took me an entire afternoon to do the trees you see above - but hopefully I'll get faster with practice.

But the results are definitely worth the time.

That's another thing I'm learning as I do more scenery on the layout: the time it takes often results in a better product, and the process itself can put you in a better, calmer, more contemplative frame of mind.

This Thanksgiving season, I hope you'll have a little extra time to spend working on your layouts - or doing whatever hobby you're in the mood for. And if you do, I hope you'll reflect on how blessed we are that, no matter what our level of skill or ability, we're able to create something that can bring us joy and maybe even a little peace.

From our home to yours, we wish you, your families and friends, a blessed Thanksgiving and holiday season.

(While this post was first published Thanksgiving, 2022 I think it fitting to repost in keeping with the spirit of the season, and to remind me to keep things in their proper perspective, being truly grateful for all my many blessings despite all that's going on in the world around us. I hope it helps you too during these difficult times.)

Throwback Thursday - Ghosts of Railroads Past

   

(In the "spirit" of the season, and because it's All Hallows' Eve Eve ;^) I hereby repost this from last October. I think you'll agree it's especially fitting this time of year...)

A big part of my motivation for recreating the Valley Line is to keep alive the memory of the men & women who were responsible for getting the stuff of life delivered to you, each and every day.  From coal for winter heat to a bicycle to ride in the summer, for over 100 years in this country the stuff of life was delivered almost exclusively by rail.  And sometimes, if you're lucky, your historical research will unearth a ghost or two.

Given that it’s Halloween-time, here's a question for you:  

Do you believe in ghosts?

The answer for me depends on what kind of ghosts you mean. I don't believe in the creepy un-dead or goulish wanderings of departed souls. But I do believe in the ghosts of the past - the hauntings of a place by the memories of the people who were there. Who were they? What were their dreams and plans? Were they anything like us? While dead people don't actually haunt us, the spirits and memories of the past can - and often do. Especially if you're paying close attention.

During this time of year especially, if you keep your eyes open and know where to look, you can see some of these ghosts of the past materializing.  You have only to slow down, pay attention, and keep your eyes peeled.

This is a bridge on the old line between Middletown and Berlin, CT. The railroad was abandoned and torn up years ago, and the trees have long since reclaimed much of the right-of-way. But this bridge remains - a monument to the memory not only of the railroad, but to the spirit of the men who built it.

If during your travels you stop at a spot like this and imagine, even for a few minutes, how those men lived, what their hopes were and whether they ever achieved them, you might see some ghosts.

And if you're especially quiet, you may even hear in the sound of the leaves floating by on the breeze a whisper of thanks from those men for not letting them be forgotten.

Wordless Wednesday #512 - Ghost Train

 

Rapido 44-tonner Sound Comparison

I recently uploaded this sound comparison between 1st and 2nd run Rapido 44-tonners… Spoiler Alert: Now just as good as Scale Sound Systems’ drop-in replacement (but SSS’ cab filler speaker is still by far the best given its gargantuan size, if you’re willing to sacrifice the 44t’s gorgeous interior). 

Wordless Wednesday #511

 

Wordless Wednesday #510 - Current Project...

 

Airbrushing 101

If there's one bit of advice I would give to a new model railroader, I think right near the top of the list would be "Learn to use an airbrush."  It's one of those skills that, once you've acquired it, you can't imagine how you ever did without it. It's undoubtedly one of the best modeling tools to have in your arsenal.

For the first almost 30(!) years in the hobby, I feared the airbrush. But, thanks to my friend Ralph Renzetti, I've overcome my fear by using his foolproof tools and techniques. On his recommendation, I've also devoured Boomer Diorama's airbrushing how-to videos. Ralph cribbed heavily off of Boomer in developing these easy techniques to get you consistently good results.

In this quick (I promise!) post, I'll cover the 4 main things you need to know to start airbrushing successfully today!

1. Airbrush
2. Paint
3. Technique
4. Cleanup

Airbrush - Badger Patriot 105

At first glance, a double-action, internal mix airbrush may seem like an odd recommendation for a beginner, but trust me, once you get used to it, the control you get from a double-action can't be beat.

Most importantly, a double-action allows you to blow just air without paint, and gradually add paint to the airstream. This is critical to minimizing - if not eliminating - tip dry, which will cause your paint to come out splotchy. Blowing air before and after paint will keep the airbrush from clogging and will keep it cleaner during painting. I'll get into the proper technique below.

Paint - Tamiya Acrylics (X and XF)

Tamiya acrylic paint, thinned 50:50 with 91% isopropyl alcohol, shot at 12-15psi with a double-action airbrush will result in just about foolproof results. Tamiya acrylic is very forgiving and can be thinned with a variety of thinners, from Tamiya's own brand of thinner, to water, to lacquer, to IPA. I prefer the IPA since it's easily available and produces consistent results. It also "cleans" the airbrush while you paint.

Trigger Technique - Down & Back/Forward & Up

• Press down the trigger to shoot air;
• Keeping the trigger pressed down, pull back on the trigger to shoot paint;
• When done painting, push trigger forward to shoot straight air again (clearing the nozzle);
• Lift up on the trigger to stop the airflow.

This basic technique will just ensure that you have airflow before and after paintflow (as well as during, of course). Keeping that airflow before and after paint will keep the airbrush from clogging and keep paint from drying at & clogging the tip (the dreaded "tip dry"). Tamiya acrylic paint, thinned as recommended and shot at 12-15 psi, works especially well with this technique.

Painting Technique - Start Paint Before the Model/Stop Paint After the Model

Hold the tip of the airbrush about 3-5" away from the model, off of one end. Start shooting air, moving toward the surface of the model, pulling back on the trigger to apply paint before you reach the beginning of the model. Move steadily as you apply paint across the surface of the model, and as you move past the end of the model, push the trigger forward to stop the paint flow, then lift up on the trigger to stop the airflow.

You should see the paint apply wet and then "dry" almost right away. Overlap your passes to get complete, even coverage.

This basic airbrush painting technique will admittedly take the most practice to master, but using the airbrush/paint/triggering combo I outline above will give you LOTS of leeway and room for error. Practice really is the key. Get some old newspapers, hang them up on a wall, and practice, Practice, PRACTICE.

Trust me, you WILL get the hang of it pretty quickly!

Cleanup

 

1. Dump remaining paint from color cup & wipe out cup.
2. Fill cup halfway with isopropyl alcohol (IPA - I use 70% for cleaner, to save my 91%).
3. Swish with an old, soft paintbrush, cleaning the inside of the cup.
4. Dump cup.
5. Repeat steps 2-4.
6. Fill cup halfway with IPA.
7. "Backwash" by stopping the tip with a paper towel/cloth and shooting IPA. The IPA won't come out of the tip, but will cause air to "backwash" back into the cup. You'll see it bubbling.
8. Spray out contents of cup - preferably into a cleaning station.
9. Repeat steps 7-8.
10. Wipe out cup.
11. Remove needle, wipe clean with a paper towel wet with IPA.
12. Add lube to needle (Badger "Regdab" needle juice or equivalent lube).
13. Replace needle.

To change between colors, I either just spray clean IPA until the airbrush sprays clean, or - to be extra careful - I do an abbreviated version of the above (same steps, but no repeating steps).

Final Thoughts

That's really all there is to it!

• Definitely experiment - Start by familiarizing yourself with the airbrush, just shooting water and grooving the trigger technique. 
• Experiment with different thinning ratios - you almost can't go wrong with Tamiya acrylics thinned with IPA. For example, I use a 1:9 ratio of paint to IPA for my fades.
• Experiment with different air pressures too.

That all said, I have to admit that I haven't varied much at all from the above. It works for me and I get good, consistent results. Try it yourself and I bet you get great results too!

As always, be sure to let me know how you do - and if you have any questions I can try to answer - in the comments below!